In the recent past, there have been very few cases of musicians filling in on short notice for more famous colleagues who became ill and \u2013 like David Gazarov \u2013 immediately became stars themselves. The story began in October 2011 after a performance by Jacques Loussier had to be canceled on very short notice.<\/p>\n
After a rehearsal of a mere 90 minutes, David Gazarov delighted the Loussier fans. Critics spoke of „a worthy successor\u2026“. The subsequent concerts at the Berlin Philharmonic, in Hamburg, Hannover, Bremen and Stuttgart confirmed and enhanced his success. The critic rhapsodized about Gazarov\u2019s delicacy, strength, virtuosity and innovative power, writing:
\n„The best thing to do is to give up trying to understand his music and simply enjoy it\u2026the audience at the Funkhaus can be certain that they met a future star at this event.“<\/p>\n
David Gazarov is „not only a crossover specialist, but a virtuoso, full-blooded jazz musician as well“.<\/p>\n
„Under the title BACHOLOGY, he demonstrated how far the art of piano improvisation surrounding Bach\u2019s works can go in the 21st century. First, he played the entire piece almost in the original version, changing the harmonics only slightly. Then, he took just a few bars of the primary motif and made it into a bebop lasting nearly ten minutes, subsequently demonstrating the richness of jazz harmonics and rhythm according to the classic principle of the theme with variations.“In the recent past, there have been very few cases of musicians filling in on short notice for more famous colleagues who became ill and \u2013 like David Gazarov \u2013 immediately became stars themselves. The story began in October 2011 after a performance by Jacques Loussier had to be canceled on very short notice.<\/p>\n
After a rehearsal of a mere 90 minutes, David Gazarov delighted the Loussier fans. Critics spoke of „a worthy successor\u2026“. The subsequent concerts at the Berlin Philharmonic, in Hamburg, Hannover, Bremen and Stuttgart confirmed and enhanced his success. The critic rhapsodized about Gazarov\u2019s delicacy, strength, virtuosity and innovative power, writing:
\n„The best thing to do is to give up trying to understand his music and simply enjoy it\u2026the audience at the Funkhaus can be certain that they met a future star at this event.“<\/p>\n
David Gazarov is „not only a crossover specialist, but a virtuoso, full-blooded jazz musician as well“.<\/p>\n
„Under the title BACHOLOGY, he demonstrated how far the art of piano improvisation surrounding Bach\u2019s works can go in the 21st century. First, he played the entire piece almost in the original version, changing the harmonics only slightly. Then, he took just a few bars of the primary motif and made it into a bebop lasting nearly ten minutes, subsequently demonstrating the richness of jazz harmonics and rhythm according to the classic principle of the theme with variations.“In the recent past, there have been very few cases of musicians filling in on short notice for more famous colleagues who became ill and \u2013 like David Gazarov \u2013 immediately became stars themselves. The story began in October 2011 after a performance by Jacques Loussier had to be canceled on very short notice.<\/p>\n
After a rehearsal of a mere 90 minutes, David Gazarov delighted the Loussier fans. Critics spoke of „a worthy successor\u2026“. The subsequent concerts at the Berlin Philharmonic, in Hamburg, Hannover, Bremen and Stuttgart confirmed and enhanced his success. The critic rhapsodized about Gazarov\u2019s delicacy, strength, virtuosity and innovative power, writing:
\n„The best thing to do is to give up trying to understand his music and simply enjoy it\u2026the audience at the Funkhaus can be certain that they met a future star at this event.“<\/p>\n
David Gazarov is „not only a crossover specialist, but a virtuoso, full-blooded jazz musician as well“.<\/p>\n
„Under the title BACHOLOGY, he demonstrated how far the art of piano improvisation surrounding Bach\u2019s works can go in the 21st century. First, he played the entire piece almost in the original version, changing the harmonics only slightly. Then, he took just a few bars of the primary motif and made it into a bebop lasting nearly ten minutes, subsequently demonstrating the richness of jazz harmonics and rhythm according to the classic principle of the theme with variations.“<\/p>\n","protected":false},"excerpt":{"rendered":"
David Gazarov – piano
\nMini Schulz – bass
\nObi Jenne – drums David Gazarov – piano
\nMini Schulz – bass
\nObi Jenne – drums David Gazarov – piano
\nMini Schulz – bass
\nObi Jenne – drums <\/p>\n","protected":false},"featured_media":548,"template":"","meta":[],"class_list":["post-506","product","type-product","status-publish","has-post-thumbnail","product_cat-world","product_tag-david-gazarov-trio","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/product\/506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/media\/548"}],"wp:attachment":[{"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/media?parent=506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}