Lee Konitz is a master of linear playing and a stylist on the highest level. The purity of Konitz intonation \u2013 that cool nobility which hasy been present in his playing since the 40s \u2013 is famous. Lee Konitz shows in this recording just how exquisite chords can sound even without chord instruments. But we have always known Lee to be one of the greatest spontaneous composers of Jazz.<\/p>\n
To play without chord instruments is absolutely no problem for a baritone saxophonist of Thomas Zoller\u2019s calibre, it has had its own special fascination ever since the days of the Gerry Mulligan Quintet in the 50\u2019s.<\/p>\n
Carlo Mombelli (South Africa) and Billy Elgart (USA) give a rhythm team that plays from funky to free with inspiring imagination. The result of this group\u2019s unique partnership is a clear, transparent line.<\/p>\n
A revelry in counterpoint, modern grooves and sounds that ,sophistication.succeeds as seldom before, in a union of eloquence and fire.Lee Konitz is a master of linear playing and a stylist on the highest level. The purity of Konitz intonation \u2013 that cool nobility which hasy been present in his playing since the 40s \u2013 is famous. Lee Konitz shows in this recording just how exquisite chords can sound even without chord instruments. But we have always known Lee to be one of the greatest spontaneous composers of Jazz.<\/p>\n
To play without chord instruments is absolutely no problem for a baritone saxophonist of Thomas Zoller\u2019s calibre, it has had its own special fascination ever since the days of the Gerry Mulligan Quintet in the 50\u2019s.<\/p>\n
Carlo Mombelli (South Africa) and Billy Elgart (USA) give a rhythm team that plays from funky to free with inspiring imagination. The result of this group\u2019s unique partnership is a clear, transparent line.<\/p>\n
A revelry in counterpoint, modern grooves and sounds that ,sophistication.succeeds as seldom before, in a union of eloquence and fire.Lee Konitz is a master of linear playing and a stylist on the highest level. The purity of Konitz intonation \u2013 that cool nobility which hasy been present in his playing since the 40s \u2013 is famous. Lee Konitz shows in this recording just how exquisite chords can sound even without chord instruments. But we have always known Lee to be one of the greatest spontaneous composers of Jazz.<\/p>\n
To play without chord instruments is absolutely no problem for a baritone saxophonist of Thomas Zoller\u2019s calibre, it has had its own special fascination ever since the days of the Gerry Mulligan Quintet in the 50\u2019s.<\/p>\n
Carlo Mombelli (South Africa) and Billy Elgart (USA) give a rhythm team that plays from funky to free with inspiring imagination. The result of this group\u2019s unique partnership is a clear, transparent line.<\/p>\n
A revelry in counterpoint, modern grooves and sounds that ,sophistication.succeeds as seldom before, in a union of eloquence and fire.Lee Konitz is a master of linear playing and a stylist on the highest level. The purity of Konitz intonation \u2013 that cool nobility which hasy been present in his playing since the 40s \u2013 is famous. Lee Konitz shows in this recording just how exquisite chords can sound even without chord instruments. But we have always known Lee to be one of the greatest spontaneous composers of Jazz.<\/p>\n
To play without chord instruments is absolutely no problem for a baritone saxophonist of Thomas Zoller\u2019s calibre, it has had its own special fascination ever since the days of the Gerry Mulligan Quintet in the 50\u2019s.<\/p>\n
Carlo Mombelli (South Africa) and Billy Elgart (USA) give a rhythm team that plays from funky to free with inspiring imagination. The result of this group\u2019s unique partnership is a clear, transparent line.<\/p>\n
A revelry in counterpoint, modern grooves and sounds that ,sophistication.succeeds as seldom before, in a union of eloquence and fire.Lee Konitz is a master of linear playing and a stylist on the highest level. The purity of Konitz intonation \u2013 that cool nobility which hasy been present in his playing since the 40s \u2013 is famous. Lee Konitz shows in this recording just how exquisite chords can sound even without chord instruments. But we have always known Lee to be one of the greatest spontaneous composers of Jazz.<\/p>\n
To play without chord instruments is absolutely no problem for a baritone saxophonist of Thomas Zoller\u2019s calibre, it has had its own special fascination ever since the days of the Gerry Mulligan Quintet in the 50\u2019s.<\/p>\n
Carlo Mombelli (South Africa) and Billy Elgart (USA) give a rhythm team that plays from funky to free with inspiring imagination. The result of this group\u2019s unique partnership is a clear, transparent line.<\/p>\n
A revelry in counterpoint, modern grooves and sounds that ,sophistication.succeeds as seldom before, in a union of eloquence and fire.Lee Konitz is a master of linear playing and a stylist on the highest level. The purity of Konitz intonation \u2013 that cool nobility which hasy been present in his playing since the 40s \u2013 is famous. Lee Konitz shows in this recording just how exquisite chords can sound even without chord instruments. But we have always known Lee to be one of the greatest spontaneous composers of Jazz.<\/p>\n
To play without chord instruments is absolutely no problem for a baritone saxophonist of Thomas Zoller\u2019s calibre, it has had its own special fascination ever since the days of the Gerry Mulligan Quintet in the 50\u2019s.<\/p>\n
Carlo Mombelli (South Africa) and Billy Elgart (USA) give a rhythm team that plays from funky to free with inspiring imagination. The result of this group\u2019s unique partnership is a clear, transparent line.<\/p>\n
A revelry in counterpoint, modern grooves and sounds that ,sophistication.succeeds as seldom before, in a union of eloquence and fire.Lee Konitz is a master of linear playing and a stylist on the highest level. The purity of Konitz intonation \u2013 that cool nobility which hasy been present in his playing since the 40s \u2013 is famous. Lee Konitz shows in this recording just how exquisite chords can sound even without chord instruments. But we have always known Lee to be one of the greatest spontaneous composers of Jazz.<\/p>\n
To play without chord instruments is absolutely no problem for a baritone saxophonist of Thomas Zoller\u2019s calibre, it has had its own special fascination ever since the days of the Gerry Mulligan Quintet in the 50\u2019s.<\/p>\n
Carlo Mombelli (South Africa) and Billy Elgart (USA) give a rhythm team that plays from funky to free with inspiring imagination. The result of this group\u2019s unique partnership is a clear, transparent line.<\/p>\n
A revelry in counterpoint, modern grooves and sounds that ,sophistication.succeeds as seldom before, in a union of eloquence and fire.<\/p>\n","protected":false},"excerpt":{"rendered":"
Lee Konitz \u2013 altosax
\nThomas Zoller \u2013 baritonsax
\nCarlo Mombelli \u2013 bass
\nBill Elgart \u2013 drumsLee Konitz \u2013 altosax
\nThomas Zoller \u2013 baritonsax
\nCarlo Mombelli \u2013 bass
\nBill Elgart \u2013 drumsLee Konitz \u2013 altosax
\nThomas Zoller \u2013 baritonsax
\nCarlo Mombelli \u2013 bass
\nBill Elgart \u2013 drumsLee Konitz \u2013 altosax
\nThomas Zoller \u2013 baritonsax
\nCarlo Mombelli \u2013 bass
\nBill Elgart \u2013 drumsLee Konitz \u2013 altosax
\nThomas Zoller \u2013 baritonsax
\nCarlo Mombelli \u2013 bass
\nBill Elgart \u2013 drumsLee Konitz \u2013 altosax
\nThomas Zoller \u2013 baritonsax
\nCarlo Mombelli \u2013 bass
\nBill Elgart \u2013 drumsLee Konitz \u2013 altosax
\nThomas Zoller \u2013 baritonsax
\nCarlo Mombelli \u2013 bass
\nBill Elgart \u2013 drums<\/p>\n","protected":false},"featured_media":400,"template":"","meta":[],"class_list":["post-379","product","type-product","status-publish","has-post-thumbnail","product_cat-world","product_tag-zollsound4-lee-konitz","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/product\/379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/media\/400"}],"wp:attachment":[{"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/media?parent=379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}