The drums, more than any other instrument, have developed significantly in recent years in terms of playing technique and musical function. Jazz drummers have moved beyond the role of the accompanist, to an equal musical partner. Indeed, now they are often band leaders and composers. Their playing is not only defined by the beat, but also through their sound. Extremely fast tempi, huge dynamic range, as well as highly virtuosic poly-rhythmic playing are these days generally a matter of course. German drummer, Oliver Steidle, \u201c who pulls all the strings with sensitivity and efficiency \u201c, \u201c an ace of dynamic and rhythmic flexibility\u201d, \u201c a drummer who has developed from rhythmic servitude into a totally emancipated and unique musician\u201d, has been influential in this development. Not only German music critics, but also the international press agrees that Oliver Steidle is \u201cone of the most innovative young jazz musicians\u201d, \u201ca like-minded collaborator for many renowned musicians, [he] has admirably developed a distinctive style; he beats, whispers, and controls his instrument so fabulously as if it were the easiest thing in the world\u201d.<\/p>\n
The band Oliwood unites three outstanding protagonists of Berlin\u2019s creativ jazz elite.
\nTheir passion for the just-so-feasible, the not-more-feasible and the absurd in harmony and beauty. Oliwood\u2019s music is full of surprises
\nThe drums, more than any other instrument, have developed significantly in recent years in terms of playing technique and musical function. Jazz drummers have moved beyond the role of the accompanist, to an equal musical partner. Indeed, now they are often band leaders and composers. Their playing is not only defined by the beat, but also through their sound. Extremely fast tempi, huge dynamic range, as well as highly virtuosic poly-rhythmic playing are these days generally a matter of course. German drummer, Oliver Steidle, \u201c who pulls all the strings with sensitivity and efficiency \u201c, \u201c an ace of dynamic and rhythmic flexibility\u201d, \u201c a drummer who has developed from rhythmic servitude into a totally emancipated and unique musician\u201d, has been influential in this development. Not only German music critics, but also the international press agrees that Oliver Steidle is \u201cone of the most innovative young jazz musicians\u201d, \u201ca like-minded collaborator for many renowned musicians, [he] has admirably developed a distinctive style; he beats, whispers, and controls his instrument so fabulously as if it were the easiest thing in the world\u201d.<\/p>\n
The band Oliwood unites three outstanding protagonists of Berlin\u2019s creativ jazz elite.
\nTheir passion for the just-so-feasible, the not-more-feasible and the absurd in harmony and beauty. Oliwood\u2019s music is full of surprises
\nThe drums, more than any other instrument, have developed significantly in recent years in terms of playing technique and musical function. Jazz drummers have moved beyond the role of the accompanist, to an equal musical partner. Indeed, now they are often band leaders and composers. Their playing is not only defined by the beat, but also through their sound. Extremely fast tempi, huge dynamic range, as well as highly virtuosic poly-rhythmic playing are these days generally a matter of course. German drummer, Oliver Steidle, \u201c who pulls all the strings with sensitivity and efficiency \u201c, \u201c an ace of dynamic and rhythmic flexibility\u201d, \u201c a drummer who has developed from rhythmic servitude into a totally emancipated and unique musician\u201d, has been influential in this development. Not only German music critics, but also the international press agrees that Oliver Steidle is \u201cone of the most innovative young jazz musicians\u201d, \u201ca like-minded collaborator for many renowned musicians, [he] has admirably developed a distinctive style; he beats, whispers, and controls his instrument so fabulously as if it were the easiest thing in the world\u201d.<\/p>\n
The band Oliwood unites three outstanding protagonists of Berlin\u2019s creativ jazz elite.
\nTheir passion for the just-so-feasible, the not-more-feasible and the absurd in harmony and beauty. Oliwood\u2019s music is full of surprises
\nThe drums, more than any other instrument, have developed significantly in recent years in terms of playing technique and musical function. Jazz drummers have moved beyond the role of the accompanist, to an equal musical partner. Indeed, now they are often band leaders and composers. Their playing is not only defined by the beat, but also through their sound. Extremely fast tempi, huge dynamic range, as well as highly virtuosic poly-rhythmic playing are these days generally a matter of course. German drummer, Oliver Steidle, \u201c who pulls all the strings with sensitivity and efficiency \u201c, \u201c an ace of dynamic and rhythmic flexibility\u201d, \u201c a drummer who has developed from rhythmic servitude into a totally emancipated and unique musician\u201d, has been influential in this development. Not only German music critics, but also the international press agrees that Oliver Steidle is \u201cone of the most innovative young jazz musicians\u201d, \u201ca like-minded collaborator for many renowned musicians, [he] has admirably developed a distinctive style; he beats, whispers, and controls his instrument so fabulously as if it were the easiest thing in the world\u201d.<\/p>\n
The band Oliwood unites three outstanding protagonists of Berlin\u2019s creativ jazz elite.
\nTheir passion for the just-so-feasible, the not-more-feasible and the absurd in harmony and beauty. Oliwood\u2019s music is full of surprises
\nThe drums, more than any other instrument, have developed significantly in recent years in terms of playing technique and musical function. Jazz drummers have moved beyond the role of the accompanist, to an equal musical partner. Indeed, now they are often band leaders and composers. Their playing is not only defined by the beat, but also through their sound. Extremely fast tempi, huge dynamic range, as well as highly virtuosic poly-rhythmic playing are these days generally a matter of course. German drummer, Oliver Steidle, \u201c who pulls all the strings with sensitivity and efficiency \u201c, \u201c an ace of dynamic and rhythmic flexibility\u201d, \u201c a drummer who has developed from rhythmic servitude into a totally emancipated and unique musician\u201d, has been influential in this development. Not only German music critics, but also the international press agrees that Oliver Steidle is \u201cone of the most innovative young jazz musicians\u201d, \u201ca like-minded collaborator for many renowned musicians, [he] has admirably developed a distinctive style; he beats, whispers, and controls his instrument so fabulously as if it were the easiest thing in the world\u201d.<\/p>\n
The band Oliwood unites three outstanding protagonists of Berlin\u2019s creativ jazz elite.
\nTheir passion for the just-so-feasible, the not-more-feasible and the absurd in harmony and beauty. Oliwood\u2019s music is full of surprises
\nThe drums, more than any other instrument, have developed significantly in recent years in terms of playing technique and musical function. Jazz drummers have moved beyond the role of the accompanist, to an equal musical partner. Indeed, now they are often band leaders and composers. Their playing is not only defined by the beat, but also through their sound. Extremely fast tempi, huge dynamic range, as well as highly virtuosic poly-rhythmic playing are these days generally a matter of course. German drummer, Oliver Steidle, \u201c who pulls all the strings with sensitivity and efficiency \u201c, \u201c an ace of dynamic and rhythmic flexibility\u201d, \u201c a drummer who has developed from rhythmic servitude into a totally emancipated and unique musician\u201d, has been influential in this development. Not only German music critics, but also the international press agrees that Oliver Steidle is \u201cone of the most innovative young jazz musicians\u201d, \u201ca like-minded collaborator for many renowned musicians, [he] has admirably developed a distinctive style; he beats, whispers, and controls his instrument so fabulously as if it were the easiest thing in the world\u201d.<\/p>\n
The band Oliwood unites three outstanding protagonists of Berlin\u2019s creativ jazz elite.
\nTheir passion for the just-so-feasible, the not-more-feasible and the absurd in harmony and beauty. Oliwood\u2019s music is full of surprises
\nThe drums, more than any other instrument, have developed significantly in recent years in terms of playing technique and musical function. Jazz drummers have moved beyond the role of the accompanist, to an equal musical partner. Indeed, now they are often band leaders and composers. Their playing is not only defined by the beat, but also through their sound. Extremely fast tempi, huge dynamic range, as well as highly virtuosic poly-rhythmic playing are these days generally a matter of course. German drummer, Oliver Steidle, \u201c who pulls all the strings with sensitivity and efficiency \u201c, \u201c an ace of dynamic and rhythmic flexibility\u201d, \u201c a drummer who has developed from rhythmic servitude into a totally emancipated and unique musician\u201d, has been influential in this development. Not only German music critics, but also the international press agrees that Oliver Steidle is \u201cone of the most innovative young jazz musicians\u201d, \u201ca like-minded collaborator for many renowned musicians, [he] has admirably developed a distinctive style; he beats, whispers, and controls his instrument so fabulously as if it were the easiest thing in the world\u201d.<\/p>\n
The band Oliwood unites three outstanding protagonists of Berlin\u2019s creativ jazz elite.
\nTheir passion for the just-so-feasible, the not-more-feasible and the absurd in harmony and beauty. Oliwood\u2019s music is full of surprises
\nThe drums, more than any other instrument, have developed significantly in recent years in terms of playing technique and musical function. Jazz drummers have moved beyond the role of the accompanist, to an equal musical partner. Indeed, now they are often band leaders and composers. Their playing is not only defined by the beat, but also through their sound. Extremely fast tempi, huge dynamic range, as well as highly virtuosic poly-rhythmic playing are these days generally a matter of course. German drummer, Oliver Steidle, \u201c who pulls all the strings with sensitivity and efficiency \u201c, \u201c an ace of dynamic and rhythmic flexibility\u201d, \u201c a drummer who has developed from rhythmic servitude into a totally emancipated and unique musician\u201d, has been influential in this development. Not only German music critics, but also the international press agrees that Oliver Steidle is \u201cone of the most innovative young jazz musicians\u201d, \u201ca like-minded collaborator for many renowned musicians, [he] has admirably developed a distinctive style; he beats, whispers, and controls his instrument so fabulously as if it were the easiest thing in the world\u201d.<\/p>\n
The band Oliwood unites three outstanding protagonists of Berlin\u2019s creativ jazz elite.
\nTheir passion for the just-so-feasible, the not-more-feasible and the absurd in harmony and beauty. Oliwood\u2019s music is full of surprises
\nThe drums, more than any other instrument, have developed significantly in recent years in terms of playing technique and musical function. Jazz drummers have moved beyond the role of the accompanist, to an equal musical partner. Indeed, now they are often band leaders and composers. Their playing is not only defined by the beat, but also through their sound. Extremely fast tempi, huge dynamic range, as well as highly virtuosic poly-rhythmic playing are these days generally a matter of course. German drummer, Oliver Steidle, \u201c who pulls all the strings with sensitivity and efficiency \u201c, \u201c an ace of dynamic and rhythmic flexibility\u201d, \u201c a drummer who has developed from rhythmic servitude into a totally emancipated and unique musician\u201d, has been influential in this development. Not only German music critics, but also the international press agrees that Oliver Steidle is \u201cone of the most innovative young jazz musicians\u201d, \u201ca like-minded collaborator for many renowned musicians, [he] has admirably developed a distinctive style; he beats, whispers, and controls his instrument so fabulously as if it were the easiest thing in the world\u201d.<\/p>\n
The band Oliwood unites three outstanding protagonists of Berlin\u2019s creativ jazz elite.
\nTheir passion for the just-so-feasible, the not-more-feasible and the absurd in harmony and beauty. Oliwood\u2019s music is full of surprises
\nThe drums, more than any other instrument, have developed significantly in recent years in terms of playing technique and musical function. Jazz drummers have moved beyond the role of the accompanist, to an equal musical partner. Indeed, now they are often band leaders and composers. Their playing is not only defined by the beat, but also through their sound. Extremely fast tempi, huge dynamic range, as well as highly virtuosic poly-rhythmic playing are these days generally a matter of course. German drummer, Oliver Steidle, \u201c who pulls all the strings with sensitivity and efficiency \u201c, \u201c an ace of dynamic and rhythmic flexibility\u201d, \u201c a drummer who has developed from rhythmic servitude into a totally emancipated and unique musician\u201d, has been influential in this development. Not only German music critics, but also the international press agrees that Oliver Steidle is \u201cone of the most innovative young jazz musicians\u201d, \u201ca like-minded collaborator for many renowned musicians, [he] has admirably developed a distinctive style; he beats, whispers, and controls his instrument so fabulously as if it were the easiest thing in the world\u201d.<\/p>\n
The band Oliwood unites three outstanding protagonists of Berlin\u2019s creativ jazz elite.
\nTheir passion for the just-so-feasible, the not-more-feasible and the absurd in harmony and beauty. Oliwood\u2019s music is full of surprises <\/p>\n","protected":false},"excerpt":{"rendered":"
Kalle Kalima \u2013 guitar; Frank Gratkowski – as; Oliver Steidle \u2013 drums;<\/p>\n","protected":false},"featured_media":337,"template":"","meta":[],"class_list":["post-299","product","type-product","status-publish","has-post-thumbnail","product_cat-world","product_tag-kalle-kalima-frank-gratkowski","product_tag-oliwood-with-oli-steidle","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/product\/299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/media\/337"}],"wp:attachment":[{"href":"https:\/\/www.enjarecords.com\/wordpress\/wp-json\/wp\/v2\/media?parent=299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}